I started rereading my dream journal and the patterns were already there
I started rereading my dream journal and the patterns were already there
I went back through two months of dream entries expecting randomness. Instead I found the same people, places, and feelings showing up over and over.

Jacob Lowe · Founder of Sandman
Published on Apr 16th · 6 min read
I had about two months of dream journal entries sitting in Sandman that I'd never gone back and read. I'd been writing them down most mornings, sometimes just a sentence, sometimes a full paragraph. But I'd never scrolled back through them as a collection. I figured they'd be random. Weird scenes, disconnected images, the usual dream stuff.
They weren't random at all. My old apartment showed up in 11 of the entries. My college roommate, who I haven't talked to in years, was in at least 7. And there was this feeling of being late for something that ran through almost a third of them. I hadn't noticed any of this while writing the individual entries. It only showed up when I sat down and read them all in one sitting.
Someone already did this with 50,000 dreams
It turns out there's a whole research tradition built around exactly this kind of reading. Calvin Hall, a psychologist at Case Western Reserve, started collecting dream reports in the 1940s. By the time he died, he had over 50,000 of them. He wasn't interpreting them the way Freud would. He was counting things.
Hall and his colleague Robert Van de Castle built a coding system with 10 categories: characters, social interactions, activities, emotions, settings, objects, misfortunes, good fortunes, striving, and descriptive elements. Each dream got broken down into these components and tallied. It sounds dry, but what came out of it was pretty interesting. He found that dreams across cultures are more similar than they are different. The characters, the conflicts, the ratio of negative to positive emotions, they follow patterns that hold up whether you're in Cleveland or Tokyo.
What I liked about Hall's approach is that he wasn't asking "what does this dream mean?" He was asking "what keeps showing up?" That's a much more useful question when you're staring at your own journal.
Your dreams aren't random noise
The research term for this is the continuity hypothesis. It basically says your dreams reflect your waking life, not in a symbolic, need-a-decoder-ring way, but in a pretty direct way. The stuff you spend time on and the people you think about end up populating your dreams.
Michael Schredl's 2024 study tested this with 100 adolescents. For every activity they tracked (video games, social media, hobbies, time with a partner, caring for pets), the kids who spent more time doing it in waking life dreamed about it more. Obvious, maybe. But it's useful to see it confirmed with numbers instead of just vibes.
The more interesting case is G. William Domhoff's analysis of a woman he called "Barb Sanders," who kept a dream diary for decades. When Domhoff did a blind quantitative analysis of her dreams, the pattern of friendly and aggressive interactions with specific people in her dreams matched the ups and downs of those same relationships in her waking life. Her dreams were basically tracking her relationships without her realizing it.
That's what got me. Not that dreams "mean" something in some mystical way. But that they're keeping score, and you don't see it until you look.
What patterns actually look like
I assumed dream patterns would be obvious. A recurring nightmare. The same scene on repeat. But that's not usually how it works. The patterns are more like tendencies.
In 2024, the Dream Decoder app analyzed over 13,000 dream reports and found that 72% of them featured anxiety or fear as the primary emotion. Being chased and being attacked were the two most common scenarios. That's not 72% of people having the same dream. It's 72% of dreams circling the same emotional space.
In my own journal, the patterns were subtler. It wasn't that I kept dreaming about being chased. It was that I kept dreaming about being in a building I couldn't find my way out of. Different buildings every time. Sometimes an office, sometimes a hospital, sometimes something that didn't resemble any real place. But the feeling was identical: I'm lost, I know I'm supposed to be somewhere, and I can't get there.
That's a pattern. The content was different every time, but the emotion was the same. Once I noticed it, it was everywhere.
The emotional layer matters more than the plot
This is the part that surprised me most. Research on dream content and psychological well-being has found that when people's self-reported well-being drops, their dreams shift. More aggressive interactions. More negative emotions. Fewer successes and good fortunes. The dreams aren't causing the mood. They're reflecting it back at you.
I noticed something similar in my own entries. During a stretch in February when work was stressful, almost every dream had some version of conflict or frustration in it. Two weeks later, when things calmed down, the dreams got quieter too. I wouldn't have connected those dots if I hadn't sat down and read the entries side by side.
Hall's coding system includes emotions as one of its 10 categories, and I think that's the most underrated one. People tend to fixate on the weird stuff in dreams, the flying, the teeth falling out, the showing up somewhere naked. But the emotional tone is what actually tells you something. A dream about being late to a meeting and a dream about missing a flight might look different on the surface, but they're carrying the same anxiety. That's the pattern.
How I actually started tracking this
My approach is pretty simple. Once a week, usually Sunday morning, I scroll back through that week's entries and look for three things:
Who keeps showing up? Not just people I saw that day, but people who appear across multiple dreams over weeks. My college roommate kept appearing even though we haven't spoken in a while, and I eventually realized I'd been thinking about that period of my life a lot without being conscious of it.
What emotions repeat? I started adding a one-word emotion tag to each entry. Anxious, confused, calm, excited. After a month, the distribution was obvious. I was anxious in dreams way more than I thought.
Where am I? Settings repeat more than people do, in my experience. That old apartment. The building I can't navigate. A version of my high school that doesn't match the real one. These are the backgrounds your brain keeps returning to, and they usually map to something.
This is basically what the Sandman FAQ recommends: set aside time to re-read your journal, look for repeating people, places, emotions, and situations, and expect clusters to emerge after a month or two. I can confirm the timeline. It took about six weeks before the patterns became hard to ignore.
What changed after I started looking
I don't think this gives you some deep psychological revelation. It's more like checking in with yourself in a way you normally wouldn't. The patterns are just data. What you do with them is up to you.
For me, it mostly made me more aware of what I was carrying around emotionally. The being-lost dreams tapered off after I dealt with some scheduling chaos at work that had been bugging me for weeks. I don't think the dreams caused the fix, or that fixing the problem magically stopped the dreams. But noticing the connection made me take the stress more seriously than I would have otherwise.
If you've been journaling for a few weeks and haven't gone back to read your entries, try it this weekend. Don't analyze individual dreams. Just read them all in order, like a short story you're skimming. See who shows up. See what feelings repeat. The patterns are probably already there. You just haven't looked yet.
About the Author

Jacob Lowe
Founder of Sandman
Jacob is a web developer with over a decade of experience in the field. His passion for coding and open-source technologies drives his desire to create and innovate. He believes that through technology, we have the power to increase access to new experiences and make a positive impact in the world. At the heart of his work lies a love for nature and the beauty of the natural world. He finds solace in the stillness of nature and the abstractions of code.
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