I tested three ways to record my dreams
I tested three ways to record my dreams
I spent a month switching between handwriting, typing on my phone, and voice memos to see which method actually captured the most dream detail.

Jacob Lowe · Founder of Sandman
Published on Apr 25th · 6 min read
For years I wrote my dreams by hand. A notebook on the nightstand, pen clipped to the cover, the whole setup. I liked it. There was something about scrawling half-legible sentences in the dark that felt right for the material — dreams are messy, and messy handwriting matched.
Then one morning I woke from a long, complicated dream involving an airport (it's always an airport), grabbed my notebook, and watched the dream dissolve faster than I could write. By the time I'd gotten down "running through terminal, gate B something," the middle of the dream was gone. The conversation I'd been having, the person I'd been talking to, the reason I was late. All of it just fell away while my hand was still forming letters.
That bothered me enough to try an experiment. For four weeks, I rotated between three recording methods: handwriting in a notebook, typing on my phone, and voice memos. Same morning routine otherwise — stay still, eyes closed, mentally replay, then record. I wanted to know which one actually captured the most.
The handwriting case
The neuroscience on handwriting is interesting, and mostly in handwriting's favor. A 2024 study led by Audrey van der Meer at the Norwegian University of Science and Technology recorded EEG from 36 students using 256-electrode caps while they handwrote and typed words. Handwriting lit up connections across the brain in the theta and alpha frequency bands, the same brain waves tied to memory formation and sensory processing. Typing didn't come close. The repetitive key-press motion just doesn't engage those same networks.
A 2025 review in the journal Life pulled together 30 studies using fMRI and high-density EEG and came to the same conclusion: handwriting strengthens memory encoding through the motor effort of forming each letter.
So the science says handwriting wins for memory. The problem is speed. The average adult handwrites at about 13 words per minute. Most people type at around 40. When your dream is evaporating at the rate I described in my timing post, that 3x speed difference matters a lot. A richer neural encoding doesn't help much if the thing you're trying to encode is already gone.
During my handwriting weeks, my entries were the shortest. Not because the dreams were simpler, but because I kept running out of time. I'd get the main scene and lose the rest.
Typing on my phone
The phone weeks were different. I could get more down faster. My entries averaged maybe twice the length of the handwritten ones, and they had more of the connective tissue. Not just what happened, but who said what, how the scene shifted, small details like colors or sounds that I'd lose in the slower handwriting window.
The tradeoff was exactly what the EEG research would predict. When I went back to reread entries a week later, the handwritten ones brought back more. Even though they were shorter, something about having written them by hand made the memory stickier. The typed entries read more like secondhand reports. Accurate, but flat. I didn't feel like I was back in the dream the way I did with the handwritten notes.
There's also the screen issue. Opening my phone at 5 a.m. means light in my eyes, which shifts me into waking mode faster. I tried keeping brightness at minimum and using dark mode, but even that felt like a harder transition than reaching for a pen.
Voice memos
This was the surprise. Voice memos were by far the fastest. No fumbling for a pen, no squinting at a screen. Eyes closed, I'd just start talking. And because I could speak faster than I could write or type, I captured details I would've lost otherwise. Fragments of dialogue. The layout of a room. The feeling of trying to run and not being able to move fast enough.
There's a memory phenomenon called the production effect, studied by Colin MacLeod at the University of Waterloo. Saying something aloud gives it a 10-20% memory advantage over reading it silently. Hearing your own voice say the words creates a more distinctive trace in memory. MacLeod's team found that words read aloud were still better remembered a week later.
Sleep researchers have noticed something similar. Oral dream reports tend to be longer than written ones, probably because speaking requires less effort and can happen immediately after waking. A 2020 review in Frontiers in Neurology on dream recall methodology found that oral reports let you get more down without the act of recording itself getting in the way of remembering.
The catch: voice memos are terrible to search through later. I had 28 recordings by the end of the month and no easy way to find patterns across them. Dream journaling isn't just about capturing. It's about going back and rereading, noticing recurring themes, spotting dream signs. Audio files make that hard.
The method I didn't expect to work
Partway through the experiment I started doing something unplanned. On mornings when I had a strong visual image from a dream, I'd sketch it. A rough floor plan of the room, a face, the shape of the building I was in. Nothing that would impress anyone.
I looked into this afterward. Jeffrey Wammes and his colleagues at the University of Waterloo ran seven experiments showing that drawing something produces better free recall than writing it. Participants remembered more than twice as many drawn items as written ones. The quality of the drawings didn't matter. Even four-second sketches worked. The researchers think it works because drawing makes you see the thing, move your hand to represent it, and think about what it means, all at once.
Dreams are mostly visual. A quick sketch of the airport terminal or the weird staircase that went in a circle captured spatial information that words, spoken or written, couldn't quite hold.
What I actually do now
I don't use one method. I use a messy combination that would look terrible in a study design but works for me.
When I wake up, I start with a voice memo. Eyes closed, still lying down, I narrate whatever I can grab. It's the fastest way to get something down before the dream is gone. Then, usually while I'm having coffee, I open the app and type up the key parts, sometimes listening back to the memo and sometimes just going from what I remember. Translating speech into text becomes a second pass that often brings back details I missed the first time. If there's a strong visual image, I sketch it in the margin.
I've stopped handwriting entirely for dream journaling, even though the memory encoding research makes a good case for it. The speed penalty is just too high for material that's disappearing in real time. I still think handwriting is probably better for studying or taking notes on something that will stick around long enough to write slowly. But dreams don't wait.
The real answer
The FAQ version of this is simple: no, your dream journal doesn't have to be handwritten. Type it, voice-record it, sketch it, whatever gets it down before the dream is gone.
But if you want the longer answer: each method trades something for something else. Handwriting encodes deeply but slowly. Typing is fast and searchable but the memories don't stick the same way. Voice memos capture the most in the least time but you'll never want to scrub through 28 audio files looking for your recurring airport dream. And sketching is weirdly effective for the visual stuff that none of the others quite get.
I ended up using all of them in some form. You'll probably land on your own weird combination too. The only version that doesn't work is the one you won't reach for at 4 a.m. when you're half asleep and your brain is already deleting.
About the Author

Jacob Lowe
Founder of Sandman
Jacob is a web developer with over a decade of experience in the field. His passion for coding and open-source technologies drives his desire to create and innovate. He believes that through technology, we have the power to increase access to new experiences and make a positive impact in the world. At the heart of his work lies a love for nature and the beauty of the natural world. He finds solace in the stillness of nature and the abstractions of code.
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